Haunted Secrets: Tales of James Moran Vol. 3
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š£ Narrated by Thom Bowers
When the past refuses to stay buried, James Moran is the one who faces what lingersā¦
At Moran & Moran, James Moran trades in relics that pulse with the echoes of the past. When the dead refuse to let go, he is the one who must uncover why.
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Join James as he delves into the chilling secrets of a collectorās cursed artifacts, crosses paths with a spirit who wonāt rest, and fights to survive a violent entity that turns his shop into a war zone. Each case pulls him deeper into a world where the past clings tight, and the dead never truly leave.
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Haunted Secrets: Tales of James Moran Vol. 3 features seven eerie encounters that challenge Jamesās knowledge, instincts, and survival. Enter Moran & Moran and discover the relics that refuse to be forgotten.
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PRINT LENGTH | 89 pages |
AUDIO LENGTH | 3 hours and 25 minutes |
NARRATED BY | Thom Bowers |
PRODUCT DIMENSION | 6 x 0.5 x 9 inches |
ISBN | 979-8-89476-279-1 |
LANGUAGE | English |
PUBLICATION DATE | April 2, 2025 |
The Image of Deception
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The man in the navy blazer shook like a small dog in a cold room. He had offered James tea, and when the man had lifted his cup, the delicate mug rattled in the saucer. He seemed oblivious to it.
His name was Brandon Shimizu, and they were in his living room. He had called James the week before about an antique mirror he wanted to get rid of. Or, more accurately,Ā neededĀ to get rid of. It was not a simple antique, it was haunted, according to Brandon.
In a strange twist, Mr. Shimizu was not one of Jamesā previous clients. They had never had any contact, and James had not been recommended to him. As far as James could tell, Shimizu had no idea that James dealt in haunted items. It was simply a coincidence bolstered by his inability to sell the mirror to any other antique dealers.
āTwelve of them,ā Shimizu said. āIāve tried to sell it to twelve other dealers.ā
āNone were interested?ā
āThey all brought it back. Refused to keep it.ā
āWhy not throw it away? It might be a financial loss, but it sounds like you donāt want it in your home,ā James suggested.
He had not expressed to Shimizu that he believed him about the haunted mirror or that he had any special interest in such items. James had arrived as he imagined the other twelve dealers had, enticed by the prospect of a gilded Italian Baroque mirror from the eighteenth century.
The piece was beautiful and in immaculate condition. It looked pristine, and was probably worth upward of fifty thousand dollars as an antiquity given the size, age, and pedigree.
It hung on a wall in an empty room in Shimizuās Boston home. Nothing else was in it, not even a chair or a rug. Just the mirror, facing the door. It was full-length, nearly six feet from top to bottom, and unusually wide. The gilded frame was as bulky and ornate as any James had seen. It was hand-carved and incredibly detailed, with pastoral scenes of what looked like goats and fields flowing organically from top to bottom.
āIāve tried.ā Shimizu laughed before sipping his tea. āI threw it in the trash. I tossed it off a bridge. I smashed it into a million pieces and dropped it into the goddamn ocean. It was on the wall when I got home. Not a scratch on it.ā
James sipped his tea and nodded.
āI see.ā
āYou donāt believe me,ā Shimizu said. āI didnāt think you would. None of the others did, either.ā
James shook his head.
āI didnāt say that. But I do wonder, if you canāt throw it away, what makes you think you can sell it?ā
āI bought it,ā the man answered.
He looked at James and sighed before sipping his tea. Shimizu had deep bags under his eyes, and wrinkles at the corners, and his shoulders were slightly hunched. He looked tired and nervous. His dark hair was ruffled and messy, and there was a stain on his shirt. James wondered if the man had slept at all lately.
āHow much do you want for the mirror?ā James asked. When they first spoke, Shimizu said he was open to offers and just asked that James come and see it first.
āGive me a dollar,ā the man said.
James laughed, but Shimizu was not joking.
āYou know what itās worth, donāt you?ā
āI paid ten thousand,ā Shimizu said, ābut itās not worth anything. I need to sell it. If I sell it, it goes away. But you have to sign a contract. You have to promise that when you buy it, itās yours. I swear to God, I will sue you if you try to bring it back.ā
āOught to keep that part to yourself until a sale is made,ā James advised.
James finished his tea and set the cup back on the saucer on the table between them. Shimizuās house, aside from the mirror room, was very well decorated. Maybe not homeyāit had a sterile museum quality to itābut the other antiques he had curated were high-quality, beautiful pieces. The man had a good eye.
āOne dollar. I bet you can turn it around in a day. Sell it for anything, make a profit, and weāre both winners. Please.ā
āOkay,ā James said. āBut youāve told me itās haunted. What does it do aside from coming back when you try to throw it away? Why do you want to get rid of it so badly?ā
Shimizu chuckled and looked down.
āI never told the first eight or so people about it, you know? Why would I? You donāt tell the guy buying your old clunker that the radiatorās about to go; you just sell it as-is.ā
āMaybe not the most ethical way to make a deal, but I understand the point.ā
āIām beyond giving a damn about ethics,ā Shimizu said. āItās⦠itās not what it does. Itās what you see. Itās what the mirror shows you.ā
He leaned in as though fearful someone would overhear. The mirror was upstairs, a floor away, behind a closed door, but the ghost could have been anywhere. James had felt the mirror with his hand, just a light touch even though Shimizu had warned him not to. It was cold like ice. But he had seen no ghost, and the only reflection it cast was an accurate reflection of the room.
āWhat does it show you? I just saw the room.ā
āOf course, you did,ā Shimizu said. āItās still a mirror. It can show you your reflection. You can comb your hair and straighten your tie. Itās what happens when itās not just a mirror. And you canāt predict that.ā
āWhat is it when itās not just a mirror?ā
āAt first, it wasnāt so badā¦ā
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See you in the shadows! š»